publications.
Bennington Review (forthcoming Winter 2024): “Tombstone Triptych for Dachau”
Gulf Coast (forthcoming Fall 2024): “Study on Voicing”
Muzzle Magazine (Fall 2024): “Interview with houshardzan”
Waxwing (September 2024): “Well with stealing water” and “Well with white stork"
The Adroit Journal (August 2024): “By the Well of Tsitsernakaberd with a line from Charents” (semifinalist for the Djanikian Scholars Program)
The Rumpus (February 2024): “By the well of koulou,” “Dear [REDACTED], whatever you are looking for it is not [HERE],” and “Interview with patmutyun”
LIT Magazine (February 2024): “Meds Yeghern”
Michigan Quarterly Review (Fall 2023): “Footnotes For the Dead^1 Should Look Nothing Like This^2,” “Map of the US Holocaust Memorial Museum's Third Floor,” and “Mother and Child”
Ninth Letter (Summer 2023): “Graphic” & “Shed on the way to Gleiwitz”
Frontier Poetry (June 2023): “Image Map” (nominated for 2024 Best of the Net anthology)
The Journal (May 2023): “Oasis”
Quarterly West (Spring 2023): “Slaughtering a Calf, I Think of Nothing But Myself” (runner-up for the 2022 annual prize in poetry)
Indiana Review (Winter 2023): “April 24,” “Crossword,” & “Excavation site at Auschwitz”
Pleiades (Winter 2023): “Recurring Dreams” (Sections I-III)
Post Road (Fall/Winter 2022): “A bull = A word = Grief” & “Mezuzah”
Hayden’s Ferry Review (Fall/Winter 2022): “Caesar Cipher” & “Key”
Black Warrior Review (Fall/Winter 2022): “The Madonna and Child (The Litta Madonna)”
Guernica (November 2022): “(De)Composition”
AGNI (Fall 2022): “Limit”
Meridian (Spring 2022): “Testimony”
the Offing (May 2022): “Connotations” & “Rewrite request” (nominated for 2023 Best of the Net anthology)
Palette Poetry (March 2022): “Broken homophone” (nominated for 2023 Best of the Net anthology)
Consequence (Fall 2021): “Blanks”
HAD (July 2021): “A myth around junipers” and “Portrait of sound as the old man whose child you are carrying”
JuxtaProse (Winter 2020): “Still life with dead flowers in a vase of water”